Trauma and the Irish Experience: The Example of M. J. Hyland’s Carry Me Down

D. Drozdovskyi
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Abstract

The article analyses the philosophical features of M. J. Hyland’s novel Carry Me Down (2006), spotlighting this text in the epistemological paradigm of post-postmodernism. The analysis considers some of the distinctive features of the Irish novel in the second half of the twentieth and early twenty-first centuries, such as anticolonial explications and the smashed type of identity of the characters. Carry Me Down reveals the post-postmodern tendency of searching for the truth and explaining the nature of human beings as a combination of the humanitarian and the biophysical. The novel’s protagonist has a special superpower of detecting lies in the discourses produced by other characters. His inability to accept lies physically may be linked to the post-postmodern tendency of rejecting the hybrid combination of truth and untruth, typical of some kinds of postmodernist writing. The analysis also explores the representation of trauma in Hyland’s novel.
创伤与爱尔兰经验:以M. J.海兰德的《把我扛下去》为例
本文分析了M. J.海兰的小说《把我带下去》(2006)的哲学特征,将其置于后后现代主义的认识论范式中。分析考虑了20世纪下半叶和21世纪初爱尔兰小说的一些鲜明特征,如反殖民主义的解释和人物身份的破碎类型。《带我下去》揭示了后后现代主义寻求真理和解释人的本质的人文主义和生物物理学相结合的倾向。小说的主人公有一种特殊的超能力,能够从其他人物的话语中发现谎言。他在身体上无法接受谎言,这可能与后后现代主义倾向有关,即拒绝真实与非真实的混合组合,这是某些后现代主义作品的典型特征。分析还探讨了海兰小说中对创伤的表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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