De Malvinas al Punto Final: la mirada de Jorge Denti sobre la transición democrática argentina

Abstract

This article relates two documentary films by Jorge Denti, Malvinas, historia de traiciones (1983) and No al Punto Final (1986), with the aim of surveying the story line that, as a group, they organize around Argentina’s democratic transition, while observing the mode in which their narrative structure relates to different imaginaries and identities from the seventies and eighties. In view of Denti’s political and filmmaking career, the article focuses on the use of testimony and on the construction of an epic surrounding the organization of the people, which bring together different epochal perspectives.