Zen and the Art of Word Creation

R. Keyes
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引用次数: 0

Abstract

Ever since Horace defended his right to “add a few words to the stock,” and a character in Shakespeare’s 1607 play “Coriolanus” proclaimed “So shall my Lungs Coine words till their decay,” word creation has been a subject of great interest, and controversy as well. What was once considered a dubious practice has become prestigious. “Coined by” is a prized phrase to have before one’s name. The supply of neologisms therefore far outstrips demand. Many are coined, few are chosen. Coined words are like salmon eggs: few hatch, fewer mature, and only a handful make it upstream. The ways in which they are created is surprisingly anarchic, analogous to the chaotic process by which the solar system was born. One might even postulate a Chaos Theory of Word Creation in which usable neologisms pop up unpredictably, strike a chord, then take their place in the verbosphere.
禅与造字艺术
自从霍勒斯捍卫自己“在词典中添加几个单词”的权利,以及莎士比亚1607年的戏剧《科里奥兰纳斯》中的一个角色宣称“我的肺也将因单词而消亡”以来,单词创造一直是一个非常有趣的话题,同时也引发了争议。曾经被认为是可疑的做法已经变得很有声望。“杜撰的”是一个放在名字前的珍贵短语。因此,新词的供给远远超过了需求。很多是杜撰出来的,很少是被选中的。新造的词就像鲑鱼卵:很少孵化,更少成熟,只有少数能逆流而上。它们产生的方式令人惊讶地无秩序,类似于太阳系诞生时的混乱过程。人们甚至可以假设一个单词创造的混沌理论,在这个理论中,可用的新词不可预测地突然出现,引起共鸣,然后在冗长的话语中占据一席之地。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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