Accessorizing the Cross

Lynn S. Neal
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Abstract

This chapter examines how Christianity’s dominant symbol, the cross, emerged as one of the earliest and most popular instances of religion moving into fashion, in the form of cross jewelry. The fashionability of cross jewelry is an important step in understanding how God got on a dress. The first part of the chapter highlights the genesis of the cross in modern fashion through the work of Gabrielle “Coco” Chanel. The chapter then analyzes how cross jewelry became a fashion trend in the late 1960s that reflected and shaped existing religious trends. Lastly, the chapter examines the culture wars controversy that accompanied the cross jewelry trend in the 1980s, with Madonna’s popularity and the rise of the Moral Majority.
装饰十字架
本章考察了基督教的主要象征——十字架,是如何以十字架首饰的形式,成为最早、最流行的宗教进入时尚的例子之一的。十字架首饰的时兴是理解上帝如何穿上衣服的重要一步。本章的第一部分通过加布里埃尔·“可可”·香奈儿的作品强调了十字架在现代时尚中的起源。然后,本章分析了十字架首饰如何在20世纪60年代后期成为一种时尚趋势,反映并塑造了现有的宗教趋势。最后,本章考察了20世纪80年代随着麦当娜的流行和道德多数派的兴起,伴随着交叉珠宝潮流而来的文化战争争议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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