PROMETHEUS MYTH IN THE POEMS OF LORD BYRON AND CAN YÜCEL

Emine Kuluşaklı
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Abstract

This paper explores the employment of the myth of Prometheus as a representation of the rebellious feelings of human life and an expression of the meaning of the universe in the poems, Prometheus by Lord Byron, the British romantic and Prometeus, A Thief by Can Yücel, the Turkish poet, the translator and the critic. With this purpose, the paper concentrates on how Byron and Yücel employ their mythical background in these challenging poems. The study also responds in specific to the approach of mythical criticism that establishes the prominence of myths and examines its relationship to the themes of two poems grounded on the idea that the myths are reflected in literary works by passing through changes. While highlighting the poems, it gets impetus from the concept of ‘collective unconscious’, which was introduced by the Swiss psychologist, Carl Gustav Jung. The paper develops gradually by analyzing Byron and Yücel’s reshaping of myth to evaluate specific political views and humanistic values in the personification of the god, Prometheus.
普罗米修斯的神话在拜伦勋爵的诗中可以yÜcel
本文探讨了英国浪漫主义诗人拜伦的诗歌《普罗米修斯》和土耳其诗人、翻译家和评论家坎尤塞尔的诗歌《盗贼普罗米修斯》中,普罗米修斯神话作为一种对人生叛逆情感的表现和对宇宙意义的表达。基于这一目的,本文将集中讨论拜伦和拜伦如何在这些具有挑战性的诗歌中运用他们的神话背景。本研究还特别回应了神话批评的方法,这种方法确立了神话的突出地位,并基于神话通过变化反映在文学作品中的观点,研究了它与两首诗的主题之间的关系。在强调诗歌的同时,它从瑞士心理学家卡尔·古斯塔夫·荣格提出的“集体无意识”概念中获得动力。本文通过分析拜伦和塞尔对神话的重塑,逐步展开,评价普罗米修斯拟人化中具体的政治观点和人文价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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