A valorização das artes visuais africanas em escolas

C. Silva, C. D. S. Teixeira
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Abstract

In this paper, we sought to show how the teaching of Visual Arts may contribute to the understanding and acceptance of African arts. Taking in consideration the difficulties to promote an education that valorize multiculturalism and the cultural diversities, we defend that the adoption of the triangular approach proposed by Barbosa (1998) may contribute to diminish prejudices and stereotypes in relation to African culture. In order to prove this idea, we related a didactic experience involving an elementary class of a municipal school in Duque de Caxias (RJ), in which, in a sequence of activities based on visual literacy, elements of the visual language of African masks were observed, drawing parallels with Pablo Picasso's Cubist paintings. By means of the theoretic references and the activities carried out in the classroom, it was possible to show the necessity of permanent educational actions which valorize multiculturalism, diversities and, specially, the African arts.
在学校欣赏非洲视觉艺术
在本文中,我们试图展示视觉艺术的教学如何有助于理解和接受非洲艺术。考虑到促进多元文化主义和文化多样性教育的困难,我们认为采用Barbosa(1998)提出的三角方法可能有助于减少与非洲文化有关的偏见和刻板印象。为了证明这一观点,我们在杜克德卡西亚斯(RJ)的一所市政学校的小学课堂上进行了教学体验,其中,在一系列基于视觉素养的活动中,观察了非洲面具的视觉语言元素,并与毕加索的立体派绘画进行了类比。通过理论参考和在课堂上进行的活动,有可能显示持久的教育行动的必要性,以促进多元文化,多样性,特别是非洲艺术。
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