Modulations of Identities: A Regional Façade Design Resource from the Classicalised (Aristocratic) Vernacular

Puteri Shireen Jahn Kassim, Noor Hanita Abdul Majid, N. M. Nawawi, Tengku Anis Qarihah
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Abstract

The paper discusses and describes a range of templates, models and variations of  tropicalised modulation of facades and recesses from in the local vernacular which convey an aesthetic sense of the region, to counter the homogeneity of modern facades. These range of identified Malay-Nusantara are abstracted from elevations of mansions and palaces which convey a sense of the Classical and which were identified as a new identified substyle of the vernacular. Operationally categorised as a form of Classical vernacular, they represent a rich range of models and templates arising from the region’s past ingenuities that can also transcend the present approach of merely adorining modern structures with Nusantara roofs into a more critical approach. The paper argues that these variations can constitue an untapped resources for creating the modulations of facades in any  Nusantara-themes city of the future; without reverting to cosmetic application of motifs and cut-and -paste from the vernacular  This language includes key attributes such as proportioned and regular spaces of columns, recesses, projections, staircases and balustrades  which are fused in various ways  to present a more  critical trope  of local  identity that can be combined and permutate into a tropical ‘facadism’ with a differentiated and  dirinctive identity for the south east Asia city in general  and the Malay nusantara in particular.
身份的变化:来自古典化(贵族)白话文的区域外观设计资源
本文讨论并描述了一系列模板、模型和热带化立面和凹槽的变化,这些模板、模型和变化来自当地的方言,传达了该地区的美感,以对抗现代立面的同质性。这些已确定的马来努沙塔拉的范围是从豪宅和宫殿的立面中抽象出来的,传达了一种古典的感觉,并被确定为一种新的确定的方言子风格。它们在操作上被归类为古典乡土的一种形式,代表了该地区过去独创性的丰富的模型和模板,也可以超越目前仅仅用努桑塔拉屋顶装饰现代结构的方法,成为一种更重要的方法。本文认为,这些变化可以构成未开发的资源,用于在未来任何以努桑塔拉为主题的城市中创建立面的调制;这种语言包括一些关键的属性,比如比例和规则的柱、凹处、凸出、楼梯和栏杆以不同的方式融合在一起,呈现出一种更重要的地方特征,可以组合和排列成一种热带的“facadism”,具有东南亚城市和马来努桑塔拉的差异化和指标性特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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