Airborne Acoustic Transmission and Terrain Topography at SAINTGITS Amphitheatre: An Analysis of Outdoor Auditory Perception and Comparison of Contour Plots

Jacob Thottathil Varghese, Sajan Thomas, Joselin Herbert, Chacko Preno Koshy, Arjun Venugopal
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Abstract

The arrangement of natural and physical features on the earth's surface are a few among the countless items that govern the airborne acoustic transmission at boundary layers. In particular, if the acoustic waves are attributes of live concerts at open-air theatres, without losing the sheen and quality, the audience should certainly receive the unbroken depth of the performance. Hence, at all times, it is advisable to analyse the auditory receptiveness, particularly in all intended recreational spaces. The current pandemic circumstances and the mandated COVID-19 prevention protocols encourage gatherings in naturally ventilated outdoor regions than confined indoors. This work predicts and quantifies the acoustic experience at the naturally carved amphitheatre at SAINTGITS, an autonomous institution at the down South-West of the Indian Subcontinent. The entire recreational space at SAINTGITS AMPHI was separately modelled as a Base case and Advanced case, and were analysed using the acoustic modelling module of EASE Focus, a renowned simulation freeware, which is in strict adherence with the International standards. The variation in loudness received at the nearest and farthest ends of the amphitheatre was between 67 to 80 dB. Though the Zero frequency SPL (Z-weighting) exhibited the loudness in the range of 81 to 85 dB and could maintain a safer auditory level for any human ear, it was confined to a hemispherical region near the sound source. A vertical beam angle of -4.0 degrees was found to be effective throughout. The procedures and analyses will certainly help the future organizers and stakeholders to effectively plan the resources to reap rich acoustic experience at terrain-centric locales. The surface topography and contours were plotted with another set of freeware, the CADMAPPER and the QUIKGRID, to compare terrain gradient with the known data. Furthermore, this interdisciplinary research exhibits the extensive simulation capability of both EASE Focus and QUIKGRID and demonstrates the modelling versatility and deliverable potential of these freeware to benefit the budding architects and researchers.
SAINTGITS圆形剧场的机载声传输和地形地形:室外听觉感知分析和等高线图比较
地球表面自然和物理特征的排列只是控制边界层机载声波传输的无数因素中的一小部分。特别是,如果声波是露天剧场现场音乐会的属性,在不失去光泽和质量的情况下,观众当然应该获得完整的表演深度。因此,在任何时候,分析听觉接受能力是明智的,特别是在所有预定的娱乐空间。当前的大流行形势和COVID-19强制性预防方案鼓励人们在室外自然通风的区域聚集,而不是在室内聚集。这项工作预测和量化了SAINTGITS自然雕刻的圆形剧场的声学体验,SAINTGITS是印度次大陆西南部的一个自治机构。SAINTGITS AMPHI的整个休闲空间分别作为基本案例和高级案例进行建模,并使用著名的模拟免费软件EASE Focus的声学建模模块进行分析,该模块严格遵守国际标准。圆形剧场最近和最远端接收到的响度变化在67到80分贝之间。虽然零频率声压级(z加权)的响度在81 ~ 85 dB之间,对任何人耳来说都能保持一个更安全的听觉水平,但它仅限于声源附近的半球形区域。我们发现-4.0度的垂直波束角是有效的。这些程序和分析肯定会帮助未来的组织者和利益相关者有效地规划资源,在以地形为中心的场所获得丰富的声学体验。利用另一套免费软件CADMAPPER和QUIKGRID绘制地表地形和等高线,将地形梯度与已知数据进行比较。此外,这项跨学科研究展示了EASE Focus和QUIKGRID的广泛模拟能力,并展示了这些免费软件的建模多功能性和交付潜力,使崭露头角的建筑师和研究人员受益。
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