{"title":"Play and Purpose: The Relationship Between Patolli and Graffiti at Xunantunich, Belize","authors":"Rosamund E. Fitzmaurice, Tia B. Watkins, J. Awe","doi":"10.14324/111.444.2041-9015.1286","DOIUrl":null,"url":null,"abstract":"Patolli is a “dice game” found in Classic andPostclassic period (CE 250-900/1000, CE 900/1000-1492) contexts throughoutMesoamerica. This paper provides an overview of ethnohistoric sources andprevious archaeological research on patolli to contextualize recent discoveriesof boards and other graffiti at the Classic Maya centre of Xunantunich, Belize.We examine the placement of patolli boards relative to graffiti figureswithin two galleries in the site’s north palace complex to understand theirrelationship with each other and their possible significance within the centreitself. Finally, we present possible interpretations for patolli andgraffiti from the Terminal Classic Maya centre of Xunantunich, Belize rangingfrom commemoration, competition, and divination or ritually related activities.","PeriodicalId":253342,"journal":{"name":"Special Issue: Timeless Spaces 2019 Conference Proceedings","volume":"32 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Special Issue: Timeless Spaces 2019 Conference Proceedings","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14324/111.444.2041-9015.1286","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Patolli is a “dice game” found in Classic andPostclassic period (CE 250-900/1000, CE 900/1000-1492) contexts throughoutMesoamerica. This paper provides an overview of ethnohistoric sources andprevious archaeological research on patolli to contextualize recent discoveriesof boards and other graffiti at the Classic Maya centre of Xunantunich, Belize.We examine the placement of patolli boards relative to graffiti figureswithin two galleries in the site’s north palace complex to understand theirrelationship with each other and their possible significance within the centreitself. Finally, we present possible interpretations for patolli andgraffiti from the Terminal Classic Maya centre of Xunantunich, Belize rangingfrom commemoration, competition, and divination or ritually related activities.