‘The Enjoyment of Literature’: Women Writers and the ‘Battle of the Brows’

C. Clay
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Abstract

This chapter picks up and extends arguments advanced earlier in the book regarding the status of women’s writing and criticism during the years of modernism’s cultural ascendancy and academic institutionalisation. In the contexts of (1) a newly configured ‘University English’ which took an authoritative new role in the cultural field against an earlier belle-lettres tradition, and (2) the unprecedented prestige of middlebrow fiction in the 1930s, the chapter explores how Time and Tide navigated increasing tensions between ‘highbrow’ and ‘middlebrow’ spheres and succeeded in straddling both. First the chapter discusses the introduction in 1927 of a new ‘Miscellany’ section of the paper – home to E. M. Delafield’s popular serial ‘The Diary of a Provincial Lady’ – and argues that these columns created and legitimised a place for the ‘feminine middlebrow’ and amateur writer as the periodical increased its orientation towards the highbrow sphere. Second, with reference to the appointment of Time and Tide’s first two literary editors, the chapter discusses how the periodical negotiated a widening gap in this period between intellectual and general readers, and between amateur and professional modes of criticism.
“文学的乐趣”:女作家与“眉毛之战”
这一章选择并扩展了本书早期关于女性写作和批评在现代主义文化优势和学术制度化时期的地位的论点。在以下背景下:(1)新配置的“大学英语”在文化领域扮演了权威的新角色,而不是早期的美丽字母传统;(2)20世纪30年代中庸小说的空前声望,本章探讨了《时代与潮流》如何在“高雅”和“中庸”领域之间日益紧张的关系中导航,并成功地跨越了这两个领域。首先,这一章讨论了1927年报纸新“杂记”部分的介绍——e·m·德拉菲尔德的流行系列作品《一位乡土女士的日记》的发源地——并认为这些专栏为“女性中产阶级”和业余作家创造了一个合法的地方,因为期刊增加了向高雅领域的定位。其次,关于《时代与潮流》最初两位文学编辑的任命,本章讨论了《时代与潮流》在这一时期如何解决知识分子与普通读者、业余批评模式与专业批评模式之间日益扩大的差距。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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