Televizyon diziler — žanr i recepcija turskih serija

A. Milovanović
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Abstract

The global phenomenon of Turkish television series (Türk dizileri, Turkish dizies) requires a broader understanding of the media, economic, social and political context of their production, distribution and reception. This paper analyses the diziler genre , its format and themes, with the aim of interpreting its popularity development and transformation. The paper focuses on issues related to various aspects of the reception of Turkish dizies, which also refer to neo-Ottomanism, Ottomania and the soft power of Turkish series. The contemporary moment in many media studies is marked as the golden age of television series and the rise of Turkish television is a part of this trend. Therefore, the main task of this paper is to offer a better understanding of the (trans)national aspects of Turkey as new media power, focusing (partly) on a critical view of their television series as one of the elements of today’s Turkish geopolitical perspective.
土耳其电视连续剧的全球现象需要对其制作、发行和接收的媒体、经济、社会和政治背景有更广泛的了解。本文分析了《迪兹勒》的体裁、形式和主题,旨在解释其流行的发展和转变。本文重点讨论了土耳其电视剧接受的各个方面的问题,也涉及到新奥斯曼主义、奥斯曼主义和土耳其电视剧的软实力。在许多媒体研究中,当代时刻被标记为电视剧的黄金时代,土耳其电视的兴起是这一趋势的一部分。因此,本文的主要任务是更好地理解土耳其作为新媒体大国的(跨)国家方面,(部分地)关注他们的电视连续剧作为当今土耳其地缘政治视角的要素之一的批判性观点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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