Mountain Highs, Valley Lows

Birgitta J. Johnson
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Abstract

Since 2004, collaborative archiving of gospel music between institutions in higher education, community groups, and individual collectors has increased. Three university archive initiatives have emerged and engaged in various partnerships with gospel music heritage communities on regional and even national levels. Archives and libraries at UCLA, USC, and Baylor University have contributed greatly to the preservation of gospel music’s recorded and ephemeral past and to the documentation of contemporary performance traditions. While two of these initiatives have faced sustainability challenges, one has expanded its impact by partnering with the Smithsonian’s National Museum of African American History and Culture. This chapter delineates key success strategies of the UCLA Gospel Archiving in Los Angeles Project, the Gospel Music History Archive of the University of Southern California, and the Baylor University Black Gospel Music Restoration Project; highlights accessibility and sustainability challenges; and illustrates the crucial role of technology in future archiving efforts.
山高,谷低
自2004年以来,高等教育机构、社区团体和个人收藏家之间的福音音乐合作存档有所增加。三所大学的档案倡议已经出现,并与地区甚至国家层面的福音音乐遗产社区建立了各种合作伙伴关系。加州大学洛杉矶分校(UCLA)、南加州大学(USC)和贝勒大学(Baylor University)的档案馆和图书馆为保存福音音乐的记录和短暂的过去以及对当代表演传统的记录做出了巨大贡献。虽然其中两项倡议面临可持续性挑战,但其中一项通过与史密森尼国家非裔美国人历史与文化博物馆合作,扩大了其影响。本章描述了加州大学洛杉矶分校福音档案项目、南加州大学福音音乐史档案项目和贝勒大学黑人福音音乐修复项目的关键成功策略;突出可及性和可持续性挑战;并说明了技术在未来存档工作中的关键作用。
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