{"title":"Reach: a keyboard-based gesture recognition system for live piano sound modulation","authors":"Niccolò Granieri, J. Dooley","doi":"10.5281/zenodo.3673000","DOIUrl":null,"url":null,"abstract":"This paper presents Reach, a keyboard-based gesture recog- nition system for live piano sound modulation. Reach is a system built using the Leap Motion Orion SDK, Pure Data and a custom C++ OSC mapper1. It provides control over the sound modulation of an acoustic piano using the pi- anist’s ancillary gestures. \n \nThe system was developed using an iterative design pro- cess, incorporating research findings from two user studies and several case studies. The results that emerged show the potential of recognising and utilising the pianist’s existing technique when designing keyboard-based DMIs, reducing the requirement to learn additional techniques.","PeriodicalId":161317,"journal":{"name":"New Interfaces for Musical Expression","volume":"28 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Interfaces for Musical Expression","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5281/zenodo.3673000","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
This paper presents Reach, a keyboard-based gesture recog- nition system for live piano sound modulation. Reach is a system built using the Leap Motion Orion SDK, Pure Data and a custom C++ OSC mapper1. It provides control over the sound modulation of an acoustic piano using the pi- anist’s ancillary gestures.
The system was developed using an iterative design pro- cess, incorporating research findings from two user studies and several case studies. The results that emerged show the potential of recognising and utilising the pianist’s existing technique when designing keyboard-based DMIs, reducing the requirement to learn additional techniques.