Imperfections in music

Peter Townsend
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Abstract

Music is a universal pleasure, but totally individual in terms of our hearing response, cultural background, and the pleasure that different performances and genres of music generate. Our hearing is also individual and varies with age and lifestyle. There are immense differences between instruments, musical scales (around 80), concert halls, audio electronics and broadcasting, plus each of us has a unique hearing response. This provides both originality and pleasure (or the reverse). All these various differences may be viewed as imperfections, or as the source that is essential to our enjoyment of music. For example, there are tangible compromises with instrument construction, such as the use of an equal temperament scale on keyboard instruments to allow one to play with different key signatures (in fact it is a highly imperfect, and significant, detuning imposed on a piano).
音乐上的瑕疵
音乐是一种普遍的快乐,但就我们的听觉反应、文化背景以及不同表演和音乐流派所产生的快乐而言,音乐是完全不同的。我们的听力也是因人而异的,随年龄和生活方式而变化。乐器、音阶(约80)、音乐厅、音频电子设备和广播之间存在巨大差异,而且我们每个人都有独特的听觉反应。这既提供了独创性又提供了乐趣(或者相反)。所有这些不同之处可以被看作是不完美之处,也可以看作是我们欣赏音乐的根本原因。例如,在乐器结构上存在切实的妥协,例如在键盘乐器上使用相同的气质音阶,以允许一个人演奏不同的关键特征(事实上,这是一个非常不完美的,重要的,对钢琴施加的失谐)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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