La identidad de la mujer, derecho a la educación y el impulso de redefinición de su rol en la sociedad en Las mujeres españolas, americanas y lusitanas pintadas por sí mismas

Snežana B. Jovanović
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Abstract

This paper focuses on the texts gathered in the last costumbristic collection published in the 19th century ― Las mujeres españolas, americanas y lusitanas pintadas por sí mismas , directed by Faustina Sáez de Melgar, dedicated to women and as its title indicates, written entirely by women. Rereading the articles contained in this one volume compendium, we intend to trace the first vindictive voices about the role of women in society and address the concept that the authors of the collection had of women and their own worth. At the same time we centre on their positions on the issue of education as a means by which women can free themselves from the social marginalization they suffer.
女性的身份认同,受教育的权利,以及重新定义她们在社会中的角色的动力,在西班牙,美国和卢西塔尼亚的女性描绘自己
本文主要关注19世纪出版的最后一部服装作品集——Las mujeres españolas, americanas y lusitanas pintadas por sí mismas中收集的文本,由Faustina Sáez de Melgar执导,致力于女性,正如其标题所示,完全由女性撰写。重读这一卷汇编中所载的文章,我们打算追溯关于妇女在社会中的作用的最初的报复性声音,并处理汇编的作者对妇女及其自身价值的概念。与此同时,我们关注她们在教育问题上的立场,教育是妇女摆脱她们所遭受的社会边缘化的一种手段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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