Executive Incentive Pay Disclosures at Etsy, Inc.

Mark E. Haskins, Luann J. Lynch
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Abstract

The financially savvy (fictional) protagonist in this case is an independent artist, intrigued with the possibility of becoming a seller on the Etsy, Inc., marketplace. As such, she is seeking to learn about the company—that is, its culture, recent history, and incentive compensation philosophy and practices for top executives. The case provides pertinent, publicly sourced information for exploring and discussing such issues.This case is suitable for an undergraduate, graduate, or non-degree executive education course where the focal topic is, in general, performance management, and more specifically, the use and design of executive incentive compensation plans. A valuable secondary objective is to introduce students to some of the company information disclosed in a publicly available corporate proxy statement. That document, filed with the SEC as Form DEF 14A, is filed in preparation for a public company's annual shareholder meeting. Excerpt UVA-C-2430 Dec. 6, 2019 Executive Incentive Pay Disclosures at Etsy, Inc. Betsy Jordaniske had been an artist for as long as she could recall. In fact, in fourth grade, she had won the first art contest she had ever entered. What was unique and unusual about her winning piece, and what was still true 20 years later, was that her paintings were three-dimensional, incorporating real materials from nature such as dried grasses, pebbles, twigs, grains, and even a little dirt once in a while. Such materials interplayed with the acrylics, the chalk, and the colored pencils she used in a truly captivating way. Her paintings were unique to say the least, and they often prompted observers to move closer, look longer, and reflexively smile just a little bit. For years, Jordaniske had been frustrated by not having enough time to devote to her art—she lived for that endeavor, and she worked as a bookkeeper to live. On the surface, her occupation and vocation seemed quite incongruous, but it was the symmetry of bookkeeping that had a certain appeal to her, just as the unlimited possibilities of a blank canvass never failed to kick-start the flow of artistic ideas in her head and heart. Formal schooling in accounting or art had not been a path Jordaniske had been able to take. Out of family necessity, she had gone to work right out of high school in her uncle's retail shop, doing the books in the back office, working the cash register out front, and helping customers when the shop got busy. It was in the evenings and on weekends, when the weather was nice, that she set up her portable, bare-bones studio in various natural, out-of-the-way settings around her Texas hometown. She let her surroundings speak to her—waiting to sense the urge to paint a certain scene, in a certain way. Inevitably, ideas easily and readily flowed. If she did not have all the material she needed while on site, she would simply add it later, with no loss of artistic wholeness, as the image she wanted was already finished in her mind's eye. It was this duality of her essence—the practical, yet artistic, enjoyment of a finite/prescribed bookkeeping system, as well as the unfettered possibilities/expressions of an artist's imagination—behind her decision to look into the Etsy, Inc., marketplace possibility. . . .
Etsy, Inc.高管激励薪酬披露
在这种情况下,精通财务的(虚构的)主角是一个独立的艺术家,对成为Etsy, Inc.市场上的卖家的可能性很感兴趣。因此,她希望了解这家公司——也就是说,它的文化、最近的历史、以及高管的激励薪酬理念和做法。该案例为探索和讨论此类问题提供了相关的、公开来源的信息。本案例适用于本科、研究生或非学位高管教育课程,这些课程的重点通常是绩效管理,更具体地说,是高管激励薪酬计划的使用和设计。一个有价值的次要目标是向学生介绍在公开的公司代理声明中披露的一些公司信息。该文件以表格DEF 14A的形式提交给美国证券交易委员会,是为上市公司的年度股东大会做准备。摘自UVA-C-2430 2019年12月6日Etsy公司高管激励薪酬披露贝特西·乔丹尼斯克(Betsy Jordaniske)从记事起就一直是一名艺术家。事实上,在四年级的时候,她就赢得了她参加的第一个艺术比赛。她的获奖作品的独特和不寻常之处在于,20年后仍然如此,她的画是三维的,结合了自然界的真实材料,如干草、鹅卵石、树枝、谷物,甚至偶尔会有一点泥土。这些材料与丙烯、粉笔和彩色铅笔相互作用,她用了一种真正迷人的方式。她的画至少可以说是独一无二的,它们经常促使观察者走近,看得更久,并反射性地微笑一点点。多年来,乔丹尼斯克一直因为没有足够的时间投入到她的艺术中而感到沮丧——她为这种努力而活,她以簿记员的身份生活。从表面上看,她的职业和职业似乎很不协调,但记账的对称对她有一定的吸引力,就像一张空白画布的无限可能性总是能在她的头脑和心灵中引发艺术思想的流动。在会计或艺术方面的正规教育并不是Jordaniske能走的路。出于家庭的需要,她高中一毕业就去她叔叔的零售店工作,在后勤办公室记账,在前台收银,在商店忙的时候帮助顾客。每当晚上和周末天气好的时候,她就会在她位于德克萨斯州的家乡周围各种自然、偏僻的环境中搭建起她的便携、简陋的工作室。她让周围的环境对她说话——等待着感受以某种方式描绘某个场景的冲动。不可避免的是,想法很容易、很容易地流动起来。如果她在现场没有得到她需要的所有材料,她会简单地稍后添加,而不会失去艺术的整体性,因为她想要的图像在她的脑海中已经完成了。她决定调查Etsy公司的市场可能性. . . .,这是她本质上的两重性——实用而又艺术的,对有限/规定的记账系统的享受,以及艺术家想象力的不受约束的可能性/表达
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