{"title":"Towards ‘Rediscovery’","authors":"Mark Everist","doi":"10.1093/oso/9780197546000.003.0004","DOIUrl":null,"url":null,"abstract":"Throughout the period c1830-c1870, there were plans of various sorts to bring Gluck back into the theatre but none were successful. Gluck’s compositions for the stage found their way back to the theatre in different ways, ranging from short coherent sequences of numbers to complete acts in concerts to occasional semi-staged performances given by the pupils of the Paris Conservatoire.","PeriodicalId":430802,"journal":{"name":"Genealogies of Music and Memory","volume":"15 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Genealogies of Music and Memory","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780197546000.003.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Throughout the period c1830-c1870, there were plans of various sorts to bring Gluck back into the theatre but none were successful. Gluck’s compositions for the stage found their way back to the theatre in different ways, ranging from short coherent sequences of numbers to complete acts in concerts to occasional semi-staged performances given by the pupils of the Paris Conservatoire.