Towards ‘Rediscovery’

Mark Everist
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Abstract

Throughout the period c1830-c1870, there were plans of various sorts to bring Gluck back into the theatre but none were successful. Gluck’s compositions for the stage found their way back to the theatre in different ways, ranging from short coherent sequences of numbers to complete acts in concerts to occasional semi-staged performances given by the pupils of the Paris Conservatoire.
在1830年至1870年期间,有各种各样的计划要把格拉克带回剧院,但都没有成功。格拉克的舞台作品以不同的方式回到了剧院,从连贯的短数字序列到音乐会的完整表演,再到巴黎音乐学院学生偶尔进行的半舞台表演。
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