The Dual Space: Concept and Applications in Cultural Heritage

R. van Liere, K. Batenburg, I. Garachon, Ching-Ling Wang, J. Dorscheid
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引用次数: 2

Abstract

An important question in cultural heritage concerns the make process of an artifact. Understanding the make process provides insight related to the origin, techniques, and craftsmanship used to make the artifact. Searching for tool marks or traces left by the artist’s hand is one way of retrieving clues related to the make process. X-ray computed tomography is a nondestructive tool that produces volumetric images of structures inside an artifact. However, interactively searching in large volumetric images for tool marks is a difficult, tedious, and time-consuming task. In this article, we introduce the concept of a dual space. The governing idea is that the dual space represents the air in the interior of an object. In the context of cultural heritage, the dual space represents those materials that first belonged to the object but have been removed during the make process. Our main goal of creating the dual space is to facilitate searching, inspection, and interpretation of tool marks. We provide two examples of how the dual space can be used to study the make process.
双重空间:概念及其在文化遗产中的应用
文物的制作过程是文化遗产中的一个重要问题。理解制造过程提供了与用于制造工件的起源、技术和工艺相关的洞察力。寻找艺术家的手留下的工具痕迹或痕迹是检索与制作过程有关的线索的一种方式。x射线计算机断层扫描是一种非破坏性的工具,可以产生人工制品内部结构的体积图像。然而,在大体积图像中交互式搜索工具标记是一项困难、乏味和耗时的任务。在本文中,我们介绍了对偶空间的概念。主导思想是,对偶空间表示物体内部的空气。在文化遗产的背景下,双重空间代表了那些最初属于物体但在制作过程中被移除的材料。我们创建双空间的主要目的是为了方便工具标记的搜索、检查和解释。我们提供了如何使用对偶空间来研究制造过程的两个例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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