A zenei megértés alapjai narratológiai megközelítésben

Gábor Szécsi, Gergely Bogányi
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Abstract

The foundations of musical understanding in a narratologicalapproachGábor Szécsi – Gergely BogányiNarrative thinking has a significant role in the formation of the self and identity. In fact, to such an extent that the self is seen as the product of narrative thinking, a fictional character emerging at the intersection of autobiographical narratives. The aim of this article is to define the conceptual framework of a narratological model that sheds light on the foundations of musical understanding. We try to achieve this goal by synthesizing the narratological theories born in the field of musicology, music psychology and linguistic, linguistic philosophical and narrative psychological theories discussing the facts of linguistic performance in the narratological context. In the spirit of this synthesis, we argue that the process of musical understanding takes place at the intersection of narratives that are essentially arranged on two levels.
音乐理解的基础在narratologicalapproachGábor sz - Gergely BogányiNarrative思维中具有重要的自我和认同的形成作用。事实上,在某种程度上,自我被视为叙事思维的产物,一个出现在自传体叙事交叉点上的虚构人物。本文的目的是定义叙事学模型的概念框架,以阐明音乐理解的基础。我们试图通过综合音乐学、音乐心理学以及语言学、语言哲学和叙事心理学等领域的叙事学理论,在叙事学语境中探讨语言表演的事实,从而达到这一目的。在这种综合的精神下,我们认为音乐理解的过程发生在叙事的交叉点上,叙事基本上是在两个层面上安排的。
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