Speculative Spaces in Grand Paris : Reading JR in Clichy-sous-Bois and Montfermeil

Gillian Jein
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Abstract

This chapter engages with the spatial politics of aesthetics in the Parisian suburbs of Clichy-sous-Bois and Montfermeil. It examines how JR’s street art brings into view the lines of tension informing neighbourhood change. Firstly, the chapter explores how urban aesthetics have become important to gentrification analysis and looks at the commodification of socially engaged aesthetic practices via the “creative cities” ethos. In the subsequent sections, the chapter introduces a relational reading of JR’s artistic practice in “Clichy- Montfermeil.” The central questions guiding the enquiries are as follows: What can street art tell us about the antagonisms shaping processes of speculation in these towns? What can its aesthetic presence reveal about shifts in spatial imaginaries that are disarticulating the banlieues as “deviant,” “no-go zone” to rearticulate them “as a hunting ground for seasoned investors” (Clerima 2019)?
大巴黎的投机空间:在克利希-苏-布瓦和孟费
本章涉及巴黎郊区克利希苏布瓦和孟费?的美学空间政治。它探讨了JR的街头艺术如何将紧张的线条带入社区变化的视野。首先,本章探讨了城市美学如何对中产阶级化分析变得重要,并通过“创意城市”精神来看待社会参与美学实践的商品化。在接下来的章节中,本章将对JR在《克利希-孟费?》中的艺术实践进行关系解读。指导调查的中心问题如下:街头艺术能告诉我们这些城镇中形成投机过程的对抗吗?它的美学存在揭示了空间想象的变化,这些变化正在将郊区作为“越轨的”、“禁区”重新表述为“经验丰富的投资者的狩猎场”(Clerima 2019)?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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