James Kudelka

Amy Bowring, Tanya Evidente
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Abstract

James Kudelka glides comfortably between the worlds of ballet, modern dance, and postmodern dance. As one of Canada’s most prolific choreographers, he has a repertoire that bridges classical and contemporary modes as he moves skillfully between revisiting classical behemoths such as Swan Lake and creating entirely new works driven by his masterful relationship to music and his ability to push the boundaries of ballet vocabulary and partnering. This chapter contextualizes Kudelka’s work within the historical narrative of ballet in Canada and his impact on the repertoires of the National Ballet of Canada and Les Grands Ballet Canadiens. Kudelka’s dominant themes of love, sex, and death; his vocabulary and strong emphasis on artistic collaboration; and his musical awareness are all crucial elements of his creative process and are integral to his exploration of the human condition through ballet.
詹姆斯·库德尔卡在芭蕾舞、现代舞和后现代舞蹈之间游弋自如。作为加拿大最多产的编舞家之一,他的剧目将古典与当代风格相结合,他在回顾《天鹅湖》等经典巨作和创作全新作品之间游移自如,这得益于他与音乐的精湛关系,以及他突破芭蕾词汇和合作界限的能力。本章将库德尔卡的作品置于加拿大芭蕾舞的历史叙事背景中,以及他对加拿大国家芭蕾舞团和加拿大大芭蕾舞团剧目的影响。库德尔卡的主要主题是爱、性和死亡;他的词汇和强烈强调艺术合作;他的音乐意识是他创作过程中至关重要的因素,也是他通过芭蕾探索人类状况的重要组成部分。
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