{"title":"The recreation of a castrato voice, Farinelli's voice","authors":"P. Depalle, G. García, X. Rodet","doi":"10.1109/ASPAA.1995.483000","DOIUrl":null,"url":null,"abstract":"We present an original research work culminating in the high quality production of thirty-nine minutes of castrato voice, by the means of sound analysis, processing and synthesis. The goal of the project is the creation of a soundtrack for a film about a famous eighteenth century castrato. Two complementary voices-a coloratura-soprano and a counter-tenor-are used to cover the entire range and compensate for technical difficulties. Then their timbres are homogenised by using combined techniques such as phase-vocoding, additive analysis/synthesis as well as spectral envelope and pitch estimation. Thirty-nine minutes of high quality processed singing have been created for a CD of the soundtrack.","PeriodicalId":295140,"journal":{"name":"Proceedings of 1995 Workshop on Applications of Signal Processing to Audio and Accoustics","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1995-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"16","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of 1995 Workshop on Applications of Signal Processing to Audio and Accoustics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/ASPAA.1995.483000","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 16
Abstract
We present an original research work culminating in the high quality production of thirty-nine minutes of castrato voice, by the means of sound analysis, processing and synthesis. The goal of the project is the creation of a soundtrack for a film about a famous eighteenth century castrato. Two complementary voices-a coloratura-soprano and a counter-tenor-are used to cover the entire range and compensate for technical difficulties. Then their timbres are homogenised by using combined techniques such as phase-vocoding, additive analysis/synthesis as well as spectral envelope and pitch estimation. Thirty-nine minutes of high quality processed singing have been created for a CD of the soundtrack.