Portret Odessy w filmie Michale Boganim „Odessa... Odessa!”

Marta Siekierska
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Abstract

This article aims to answer the question of how the City of Odessa was portrayed in the Michale Boganim's movie Odessa... Odessa! The first part deals withthe phenomenon of the City’s omnipresence in various works of art, along with factorsthat contributed to its prosperity in 19th century. The next part of the article is devotedto the movie’s composition that partially resembles a triptych, collage and musical variation devoted to specific space. Special attention was paid to the original soundtrack, the way of shooting urban landscapes and colors, which combined together contribute to the movies overall nostalgic atmosphere. In the following part, metaphors that underline the passage of time in the movie are enumerated and analyzed. Conclusions concerning Odessians' mental and spiritual exile as well as their vision of imaginary, idealized Odessa, that no longer exists are drawn in the last part.
本文旨在回答迈克尔·博加尼姆的电影《敖德萨》是如何描绘敖德萨市的问题。敖德萨!第一部分论述了伦敦在各种艺术作品中无处不在的现象,以及促成其在19世纪繁荣的因素。文章的下一部分是专门讨论电影的构图,部分类似于三联画,拼贴画和音乐变化,专门用于特定的空间。影片特别注意原声、城市景观的拍摄方式和色彩,这些因素结合在一起,营造出电影整体的怀旧氛围。在接下来的部分中,我们将列举和分析电影中强调时间流逝的隐喻。最后,对敖德萨人的精神流放以及他们对已不复存在的想象的、理想化的敖德萨的看法进行了总结。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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