A. Bogdanov's Novels: Utopia or Artistic Reflection of the Future Sociality and Dilemmas of the Author's Personality?

V. Rozin
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Abstract

The article offers the author's reconstruction of two novels and partly the life of Alexander Bogdanov. In terms of methodology, the author relies on the studies of art and his works published by him, which include three main plans - an analysis of the sphere of art, artistic communication and the artistic reality of the work. The study opens with the formulation of problems: the genre of novels is called into question as a utopia (the author believes that it is rather a social projection in the form of a work of art), the actions of the characters are incomprehensible, it is not clear why Bogdanov builds the plot so paradoxically. To resolve these problems, the author turns to the personality of Bogdanov, shows its duality: on the one hand, the desire for power and leaderism, on the other hand, the denial of these values and switching to scientific and teaching activities. This approach allows building a plausible, from the point of view of the author, reconstruction of the artistic reality of the novels and its events. At the same time, the author distinguishes two types of events in artistic reality. The first type is events that line up in response to a completely conscious problem or task. The second type does not imply an awareness of the problem facing the artist (it can only be felt as a vague dissatisfaction or desire), and there is no clear understanding of the way to solve this problem. The proposed reconstruction also makes it possible to explain some features of the evolution of Bogdanov himself: a break with Lenin and the Bolshevik leadership, the rejection of leaderism, switching to the construction of the science of "Tectology".
波格丹诺夫小说:乌托邦还是未来社会的艺术反映与作者的人格困境?
这篇文章提供了作者对两部小说的重建和亚历山大·波格丹诺夫的部分生活。在方法论上,作者依靠艺术研究和他出版的作品,包括三个主要计划-艺术领域分析,艺术传播和作品的艺术现实。这项研究以问题的表述开始:小说的类型被质疑为乌托邦(作者认为这是一种艺术作品形式的社会投射),人物的行为是不可理解的,不清楚为什么波格丹诺夫这样矛盾地构建情节。为了解决这些问题,作者将目光转向波格丹诺夫的人格,展现其两重性:一方面是对权力和领导的渴望,另一方面是对这些价值观的否定,转向科学和教学活动。从作者的角度来看,这种方法可以合理地重建小说及其事件的艺术现实。同时,作者区分了艺术现实中的两类事件。第一种类型是对一个完全有意识的问题或任务的反应。第二种类型并不意味着艺术家意识到所面临的问题(它只能被认为是一种模糊的不满或欲望),并且对解决这个问题的方法没有明确的认识。提出的重建也可以解释波格丹诺夫自己演变的一些特征:与列宁和布尔什维克领导层决裂,拒绝领导主义,转向“技术”科学的建设。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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