Song of the Wood Thrush

M. Wallace
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Abstract

Chapter 1 begins with the song of the wood thrush and then focuses on divine animals in the Bible. It examines the Gospels’ “pigeon God” in which the Spirit-bird alights on Jesus at the time of his baptism, signaling the unity of all things: divine life and birdlife, divinity and animality, spirit and flesh. And it argues that the Bible’s seeming prohibitions against animal deities is vitiated by Moses’ and Jesus’ ophidian shamanism that privileges snake-totemism as a source of salvation in Numbers and John, respectively. It examines intimations of “Christian animism”—the belief that all things, including so-called inanimate objects, are alive with sacred presence—in George E. “Tink” Taylor, Lynn White Jr., and the Martyrdom of Polycarp, a second-century CE avian spirit possession narrative. It concludes that insofar as the Spirit is ornithomorphic, it behooves us to care for the natural world as the site of God’s daily presence.
画眉之歌
第一章以画眉之歌开始,然后着重于圣经中的神圣动物。它考察了福音书中的“鸽子神”,其中灵鸟在耶稣受洗时落在他身上,标志着万物的统一:神圣的生命和鸟类,神性和动物性,精神和肉体。它认为,圣经表面上对动物神的禁止,被摩西和耶稣的奥菲德萨满教所破坏,他们分别在《民数记》和《约翰福音》中将蛇图腾崇拜特权为救赎之源。它考察了“基督教万物有灵论”的暗示——相信所有的东西,包括所谓的无生命的物体,都有神圣的存在——在乔治·e·“丁克”·泰勒、小林恩·怀特和波利卡普的殉难中,公元二世纪鸟类灵魂附身的叙述。它的结论是,只要圣灵是鸟同形的,我们就应该把自然世界作为上帝日常存在的场所。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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