Lektura "Pieśni Osjana" przez Marię Wirtemberską i jej wpływ na kreację literacką tytułowej bohaterki "Malwiny, czyli domyślności serca"

S. Grusza
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Abstract

The aim of the article is to present the connections between Malvina, or the Heart’s Intuition with The Works of Ossian, which are noticeable in many aspects of the work, especially in the literary figure of the title character. The interest in the songs of the Scottish bard among the writers of the literary school of Puławy made Maria Wirtemberska attentive to the problems and aesthetics of James Macpherson's work. Malwina resembles Ossian's heroines in many aspects, which are revealed by endowing her with specific qualities, abilities, and a way of perceiving reality. The character of the Malvina also has several features in common with Macpherson's Ossian. The Duchess compares the Bard's tendency to transform memories into poetry with the attributes that characterize the images of the women described in Ossian's stories. Malvina also combines the trait of heroine from a sentimental novel, endowed with a tenderness, with the heroism and courage of a chivalrous ethos. The use of visual elements typical for Osianism, including the tendency to present the main character on the background of a lunar landscape, and the fascination with the knightly tradition, allowed the Duchess to create a heroine that would stand out from the female characters portrayed in Polish literature before 1816. The article also contains reflections on the Polish translations of The Works of Ossian (written until 1815), which Maria Wirtemberska might have come across after her return to Poland.
本文的目的是呈现马尔维纳,或心的直觉与奥西安作品之间的联系,这在作品的许多方面都是显而易见的,特别是在标题人物的文学形象上。Puławy文学学派的作家对苏格兰吟游诗人歌曲的兴趣使Maria Wirtemberska注意到James Macpherson作品中的问题和美学。马尔维娜在许多方面与奥西安笔下的女主人公相似,这表现在她被赋予了特定的品质、能力和感知现实的方式。马尔维纳的性格也与麦克弗森的奥西安有几个共同的特点。公爵夫人将吟游诗人将记忆转化为诗歌的倾向与奥西安故事中描述的女性形象的特征进行了比较。马尔维娜还结合了感伤小说中女主角的特质,赋予她柔情,以及骑士精神的英雄主义和勇气。她使用了典型的奥西米亚主义的视觉元素,包括倾向于将主角呈现在月球景观的背景上,以及对骑士传统的迷恋,这使得公爵夫人创造了一个在1816年之前波兰文学中所描绘的女性角色中脱颖而出的女主角。这篇文章还包含了对《奥西安的作品》(写于1815年)的波兰语译本的反思,这可能是玛丽亚·温腾伯斯卡回到波兰后看到的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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