visualizing white‐collar crime

Abstract

This study examines how film‐makers construct images of white‐collar crime in genre film. Data consist of twenty‐four white‐collar films in two genres: thrillers and comedies. Results indicate that images of white‐collar crime vary significantly by genre. Thrillers contain few visuals of white‐collar crimes and white‐collar offenders. Instead film‐makers use more familiar images of violence to create thrills. Comic film‐makers use standard sight gags to make images of white‐collar offenders and their crimes funny. When comic film‐makers find humor in the content of the subject matter, they construct images of white‐collar criminals and their crimes to clearly communicate the structure of each joke to the audience. Visual images of victims are not predominant in these films, especially in white‐collar comedies. The analysis reveals more than film‐making techniques. It begins to uncover cultural codes that frame white‐collar crime and illuminate its relative unimportance in the public arena, especially when compared to other crimes.