{"title":"Under the Skin of Society: Rakhshan Banietemad’s Social History of Post-revolutionary Iran","authors":"M. Wittmann","doi":"10.3366/edinburgh/9781474477611.003.0004","DOIUrl":null,"url":null,"abstract":"Surveying Banietemad’s films, beginning with Nargess, Wittman argues that Banietemad’s urban ballads not only show “the people who are missing,” uncovering suppressed, silenced voices; they also illustrate how ordinary people are organizing themselves into communities, networks, and grassroots move- ments. He further asserts that, in doing so, the films expose the emptiness of the official claims made by the Islamic Republic of Iran. At the same time, they desta- bilize stereotypes regarding Iran emerging outside of the country, especially the image of “fatalistic Muslim masses,” “the passive poor”, and the “disoriented marginal.”","PeriodicalId":404586,"journal":{"name":"ReFocus: The Films of Rakhshan Banietemad","volume":"34 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ReFocus: The Films of Rakhshan Banietemad","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474477611.003.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Surveying Banietemad’s films, beginning with Nargess, Wittman argues that Banietemad’s urban ballads not only show “the people who are missing,” uncovering suppressed, silenced voices; they also illustrate how ordinary people are organizing themselves into communities, networks, and grassroots move- ments. He further asserts that, in doing so, the films expose the emptiness of the official claims made by the Islamic Republic of Iran. At the same time, they desta- bilize stereotypes regarding Iran emerging outside of the country, especially the image of “fatalistic Muslim masses,” “the passive poor”, and the “disoriented marginal.”