Data-Driven Maps of Art History

Doron Goldfarb, D. Merkl
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Abstract

Many approaches to explain conceptions of developments in the arts to both peers and a more general audience included diagrams representing networks of related entities such as genealogies of important historical actors or styles. While such visualizations were traditionally created by hand, the recent emergence of extensive digital repositories of art history information enable new means of presentation. This work seeks to explore the potential of openly available data sources to create bottom-up, data driven versions of such network maps of art history. It highlights commonalities and differences between views derived from institutional and crowd-sourced data repositories and compares them with identified historical examples. The results suggest that the available data can be used to create largescale views on specific developments in art history, potentially serving as aid for navigating vast online collections of digitized artworks but also as means of reflection on the origin of the data sources themselves.
数据驱动的艺术史地图
向同行和更普通的观众解释艺术发展概念的许多方法包括表示相关实体网络的图表,如重要历史人物或风格的谱系。虽然这种可视化传统上是手工创建的,但最近出现的广泛的艺术史信息数字存储库使新的呈现手段成为可能。这项工作旨在探索公开可用的数据源的潜力,以创建自下而上的,数据驱动版本的此类艺术史网络地图。它强调了从机构和众包数据存储库中获得的视图之间的共性和差异,并将它们与已确定的历史示例进行比较。结果表明,可用的数据可以用来创建艺术史特定发展的大规模视图,可能有助于浏览大量数字化艺术品的在线收藏,但也可以作为反思数据源本身起源的手段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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