Lived spaces in Croatian picturebooks: public and private places and the sense of belonging

Smiljana Narančić-Kovač
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引用次数: 1

Abstract

The paper presents a study of the visual discourses of Croatian picturebooks in the period 1945–2010. It focuses on realistically depicted places and explores how their representation changes during a period of 65 years. A comparative content analysis focuses on visual representations of home, school, street and other spaces, the way they are presented as a child’s space of belonging and how they are informed with specific meanings. The aim of the study is to establish the image of child inscribed in the representations of lived spaces during the observed period and to reveal how the child’s role changes in relationship with the society. A diachronic analysis reveals a general shift in focus from outside towards inside spaces and from public towards private places. This is explained through changes in the ideological and political contexts in different periods of Croatian history and interpreted as a shift from collectivism as a dominant social value after WWII, towards re-establishing family values and individual identity. In the process, open didacticism gives way to an acknowledgment of the child’s individual, cultural and literary needs.
克罗地亚绘本中的生活空间:公共和私人空间以及归属感
本文提出了克罗地亚绘本在1945年至2010年期间的视觉话语的研究。它专注于现实描绘的地方,并探讨了65年来它们的表现形式是如何变化的。比较内容分析侧重于家庭、学校、街道和其他空间的视觉表现,以及它们作为儿童归属空间的呈现方式,以及它们如何被赋予特定的意义。本研究的目的是在观察期间建立儿童在生活空间表征中的形象,并揭示儿童在与社会的关系中角色的变化。历时分析揭示了从外部空间到内部空间以及从公共空间到私人空间的总体转移。这可以通过克罗地亚历史不同时期的意识形态和政治背景的变化来解释,并被解释为第二次世界大战后从集体主义作为主导社会价值向重建家庭价值和个人身份的转变。在这个过程中,开放的说教让位于对孩子个人、文化和文学需求的承认。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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