Phenomenology in Nepali Paintings

Rajbhandari Jasmin
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Abstract

I make an attempt to investigate the select eight paintings by Nepali artists through phenomenology. Nepali artists paint through their living experiences and convert forms into various metaphors in their artworks. Their creations connect with people of different professions in society and make them enter into a new consciousness. I further attempt to explore the relationship of Nepali art with the phenomena of the lives of Nepali artists. The select eight paintings by eight artists are explored here. The artworks are analyzed and interpreted in the qualitative method. In earlier times, Nepali paintings were not interpreted through phenomenological aspects. I argue that the form and colour they invented express their life experiences consciously. I conclude that the value of the living experiences of Nepali artists in the creative process helps in the development of Nepali contemporary art.
尼泊尔绘画中的现象学
本文试图用现象学的方法来考察尼泊尔艺术家精选的八幅画作。尼泊尔艺术家通过他们的生活经历进行绘画,并在作品中将形式转化为各种隐喻。他们的创作与社会上不同职业的人联系在一起,使他们进入一种新的意识。我进一步尝试探索尼泊尔艺术与尼泊尔艺术家生活现象之间的关系。这里精选了八位艺术家的八幅画作。用定性的方法对作品进行分析和解读。在早期,尼泊尔绘画不是通过现象学的角度来解释的。我认为他们发明的形式和颜色有意识地表达了他们的生活经历。我的结论是,尼泊尔艺术家在创作过程中的生活经验的价值有助于尼泊尔当代艺术的发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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