ASPEK-ASPEK ESTETIKA UKIRAN KAYU KHAS PALEMBANG PADA AL QURAN AL AKBAR

Husni Mubarat, Heri Iswandi
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Abstract

The research of Palembang wood carving art on Al Quran Al Akbar is the study toward aesthetic values. This research aims at revealing the aesthetic values and embodiment process of Palembang wood carving art on Al Quran Al Akbar until its presentation. This research used qualitative research method having descriptive characteristics with the approach of aesthetic study. Visually, the aesthetic values of Palembang wood carving art on Al Quran Al Akbar were the carving of Al Quran calligraphy, the blend of gold and reddish brown colours as the unique characteristics of Palembang wood carving, the existence of ornamental variety as the ornamentation of Palembang wood carving. The aesthetic values of Palembang wood carving can also be explored through values contained in that artwork such as religious, cultural and historical values. The aesthetic values of Palembang wood carving on Al Quran Al Akbar are presented through its presentation built in the form of museum so that artwork becomes a monumental artwork namely the icon of religious tourism in Palembang.
《古兰经》《阿克巴》中典型的木制雕刻的美学方面
《古兰经》上巨港木雕艺术的研究是对审美价值的研究。本研究旨在揭示巨港木雕艺术在《古兰经·阿克巴》上的美学价值和体现过程,直至其呈现。本研究采用具有描述性特点的定性研究方法和美学研究方法。从视觉上看,《古兰经》Al Akbar上巨港木雕艺术的美学价值是《古兰经》书法的雕刻,金色和红棕色的混合作为巨港木雕的独特特征,观赏品种的存在作为巨港木雕的装饰。巨港木雕的美学价值也可以通过艺术作品中包含的价值,如宗教、文化和历史价值来探索。巨港木雕《古兰经·阿克巴》的美学价值通过以博物馆的形式呈现,使艺术品成为巨港宗教旅游的标志,成为纪念性艺术品。
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