CONCEPTUAL FEATURES OF THE IMAGES OF «WOMEN» IN TURKIC MYTHOLOGY

А. K. Khussainova, К. T. Tulebayeva, B. M. Kadyrova
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Abstract

"When studying the concept of «woman» in Kazakh literature, first of all, we take into account that the concept of concept is a complex structure transmitted by the ethno-cultural concept of a centuries-old idea of being, cultural values, short and deep truths transmitted from generation to generation, stored in our consciousness. In order to become a concept of conceptuality, it is necessary that the words used by the people have a close connection with the centuries-old culture, traditions, religion, mentality of this people, have an ethno-cultural degree. Speaking about the concept of «woman», it is necessary to distinguish these ethno-cultural characteristics. The article is aimed at identifying and studying conceptual concepts related to the image of a «woman» in Turkic mythology, including in Kazakh folklore. At the same time, identifying the ancient Turkic mythological «female» images, we tried to highlight their functions in the formation of modern «female» concepts. First of all, the «female» images in ancient history were identified and the characteristic features of each of them were classified. If such images as Tomiris, Queen Zarina, Elbilge-khatun were the starting point for the formation of the concept of «warrior», then the wolf in the legend of the Turkic history of creation served as the basis for the formation of ideas about «mother wolf» and «generation of the blue wolf». The fact that the opening of the door to the world of light by man is connected with the female substance gave rise to the conceptual concepts of «The Virgin», «Creator», «Light», «Mother Earth». The images of «women» in folklore samples also create complex semantic constructions. The creation of a historical description of the concept of «woman» will undoubtedly make it possible to highlight the internal cognitive structure of the modern conceptual system of «woman». "
突厥神话中“女性”形象的概念特征
“在研究哈萨克文学中的‘女人’概念时,首先我们考虑到,‘概念’概念是一个复杂的结构,它是由民族文化观念所传递的,它是一种代代相传的存在观念、文化价值、短暂而深刻的真理,储存在我们的意识中。要成为一个概念性的概念,就必须使人们所使用的词语与这个民族几百年的文化、传统、宗教、心态有密切的联系,具有民族文化的程度。谈到“女人”的概念,有必要区分这些民族文化特征。本文旨在识别和研究突厥神话中与“女性”形象相关的概念概念,包括哈萨克民间传说。同时,通过识别古代突厥神话中的“女性”形象,试图突出其在现代“女性”观念形成中的作用。首先,对古代历史上的“女性”形象进行了识别,并对每个“女性”形象的特征进行了分类。如果说托米里斯、扎里娜女王、埃尔比勒-哈顿等形象是“战士”概念形成的起点,那么突厥创造史传说中的狼则是“母狼”和“蓝狼的一代”观念形成的基础。事实上,男人打开通往光明世界的大门与女性物质相联系,从而产生了“处女”、“创造者”、“光”、“地球母亲”等概念。民俗样本中的“女性”形象也构成了复杂的语义结构。创造对“女性”概念的历史描述,无疑将有可能凸显现代“女性”概念系统的内在认知结构。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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