Images and Interpretation of Africans in Roman Art and Social Practice

Abstract

The representation of foreign cultures with manifest ethnic or “racial” differences, such as unfamiliar physical traits or exotic dress, has been a long-standing and often visceral site for human artistic expression. The visual and material culture of the Roman Empire provides an abundant record of such encounters which render visible complex formulations of ethnicity, social hierarchies, and power. The present chapter focuses on how artists represented the peoples whom Romans referred to as Aethiopians or Nubians (i.e., sub-Saharan or “Black” Africans) in different visual media, and it explores issues related to the social functions, patronage, and viewership of these works. In particular, the chapter discusses the formalized conventions, object types, and display contexts of their representations; examines the two critical axioms of their study (the philological and social historical); and maps out recent approaches to and future directions in their interpretation.