{"title":"“A Horror and a Phantasm”: Heidegger Quotation as a Gothic Device in Flannery OʼConnorʼs “Good Country People”","authors":"V. Vujošević","doi":"10.18485/bells90.2020.2.ch9","DOIUrl":null,"url":null,"abstract":"This paper explores the parodic rendition of the prominent Gothic convention of “found manuscript” in Flannery O ʼ Connor ʼ s “Good Country People”. In Gothic narratives, parents are often confronted with some compromising textual evidence of their children’s disturbing secrets. In O’Connor’s story, Mrs. Hopewell stumbles upon a book her daughter is reading. A passage from this tome functions as a parodic “found manuscript” of the Gothic: its incomprehensible and bizarre content appears to the benighted Mrs. Hopewell as “an evil incantation in gibberish”. However, the fragment in question is an excerpt from Martin Heidegger ʼ s What Is Metaphysics? The reference to the proverbially esoteric author ironically highlights the textual uncommunicativeness of the Gothic. However, the quotation in question is not just a part of mere Gothic parody for it can also be read as a meta-commentary on the nature of Gothic textuality itself.","PeriodicalId":439877,"journal":{"name":"Belgrade English Language and Literature Studies: BELLS90 Proceedings. Volume 2","volume":"10 6 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Belgrade English Language and Literature Studies: BELLS90 Proceedings. Volume 2","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18485/bells90.2020.2.ch9","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This paper explores the parodic rendition of the prominent Gothic convention of “found manuscript” in Flannery O ʼ Connor ʼ s “Good Country People”. In Gothic narratives, parents are often confronted with some compromising textual evidence of their children’s disturbing secrets. In O’Connor’s story, Mrs. Hopewell stumbles upon a book her daughter is reading. A passage from this tome functions as a parodic “found manuscript” of the Gothic: its incomprehensible and bizarre content appears to the benighted Mrs. Hopewell as “an evil incantation in gibberish”. However, the fragment in question is an excerpt from Martin Heidegger ʼ s What Is Metaphysics? The reference to the proverbially esoteric author ironically highlights the textual uncommunicativeness of the Gothic. However, the quotation in question is not just a part of mere Gothic parody for it can also be read as a meta-commentary on the nature of Gothic textuality itself.