“A Horror and a Phantasm”: Heidegger Quotation as a Gothic Device in Flannery OʼConnorʼs “Good Country People”

V. Vujošević
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Abstract

This paper explores the parodic rendition of the prominent Gothic convention of “found manuscript” in Flannery O ʼ Connor ʼ s “Good Country People”. In Gothic narratives, parents are often confronted with some compromising textual evidence of their children’s disturbing secrets. In O’Connor’s story, Mrs. Hopewell stumbles upon a book her daughter is reading. A passage from this tome functions as a parodic “found manuscript” of the Gothic: its incomprehensible and bizarre content appears to the benighted Mrs. Hopewell as “an evil incantation in gibberish”. However, the fragment in question is an excerpt from Martin Heidegger ʼ s What Is Metaphysics? The reference to the proverbially esoteric author ironically highlights the textual uncommunicativeness of the Gothic. However, the quotation in question is not just a part of mere Gothic parody for it can also be read as a meta-commentary on the nature of Gothic textuality itself.
“一种恐怖与一种幻觉”:奥康纳《好乡下人》中海德格尔引语的哥特手法
本文探讨了弗兰纳里·奥康纳小说《好乡下人》中著名的哥特惯例“发现手稿”的戏仿演绎。在哥特叙事中,父母经常会遇到一些关于孩子令人不安的秘密的文字证据。在奥康纳的故事中,霍普韦尔夫人偶然发现了女儿正在读的一本书。这本大部头的一段话就像是对哥特小说的“发现手稿”的拙劣模仿:其难以理解和怪异的内容在愚昧的霍普韦尔夫人看来就像“胡言乱语中的邪恶咒语”。然而,有问题的片段是摘自马丁·海德格尔的《形而上学是什么?》对这位众所周知的深奥作家的引用讽刺地突出了哥特小说的文本非交流性。然而,这段引语并不仅仅是哥特模仿的一部分,因为它也可以被解读为对哥特文本性本身本质的元评论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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