THE IMAGE OF PRINCE GEBANG IN BABAD SUTAJAYA MANUSCRIPT

A. Sanusi, Tendi Tendi
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Abstract

Prince Gebang was one of the local rulers who collaborated with the VOC at the end of the 17th century. His domain, named as the Principality of Gebang (Kepangeranan Gebang), extended from the northern coastal area of Gebang Sea to the south side of the Cijolang River bordering on Galuh. Although the name of Sutajaya is clearly written as Prince Gebang (Pangeran Gebang) in the colonial archives, his identity and his travel process towards the power of the Gebang area was not clearly explained at all. This paper seeks to reveal the image of Prince Gebang through Babad Sutajaya manuscript stored in Pangeran (Prince) Pasarean Museum. From the ancient manuscripts, taken a number of essences related footage Sutajaya figure to study. The historical elements contained in the affinity of the story, comparated with records of colonial archives and sources of oral traditions that exist. From this research it is known that Babad Sutajaya depicts the image of Prince Gebang as an important figure, who came from the royal court of Cirebon. In addition, this manuscript also illustrates Prince Gebang's abilities and reveals how he gained the territory of Gebang as his controlled area
巴巴德·苏塔贾亚手稿中葛邦王子的形象
葛邦王子是17世纪末与VOC合作的当地统治者之一。他的疆域,被命名为格邦公国(Kepangeranan Gebang),从格邦海的北部沿海地区延伸到与Galuh接壤的Cijolang河的南侧。虽然Sutajaya的名字在殖民档案中被清楚地写为葛邦王子(Pangeran Gebang),但他的身份和他走向葛邦地区权力的旅行过程根本没有得到清楚的解释。本文试图通过保存在帕夏里亚王子博物馆的Babad Sutajaya手稿来揭示格邦王子的形象。从古代手抄本中,提取了一些与苏塔贾亚人物相关的精华素材进行研究。与现存的殖民档案记录和口述传统来源相比,故事的亲和力中包含的历史因素。从这一研究可知,Babad Sutajaya将格邦王子的形象描绘为来自Cirebon王室的重要人物。此外,这份手稿还说明了葛邦王子的能力,并揭示了他如何获得葛邦的领土作为他的控制区域
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