Hasty Reading and Literary Values: A Pilot Study of University Student Reading Experience in Relation to Critical and Empathetic Engagement

G. Willmott, Michael Crouse
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Abstract

Recently, in an introduction to literature course, I began a class by asking my students what they thought about Gregor’s sister, Grete, in Kafka’s The Metamorphosis. Describe her character? I met silence. Retrenching, I asked them about the story’s protagonist, Gregor, the traveling salesman who turns into a giant insect. Describe his character? More silence. Had they read it? Or enough of it? Or carefully enough? They all looked tired, like they wanted to crawl away into a dusty corner of the room, perhaps under a sofa like Gregor, and be left alone.1 I could only speculate as to what they had read or how they had read. I was vulnerable, like many of us, to grim theories of the decline of books and the Twitterization of attention spans, but were they true? I have often felt in the dark about the most basic activity I ask my students to undertake—not literary analysis, but the experience of reading literature. How do students today read? What do they get out of it?
仓促阅读与文学价值:大学生阅读体验与批判性和共情投入的初步研究
最近,在一门文学导论课上,我一开始就问学生们对卡夫卡《变形记》中格里高尔的妹妹格蕾特有什么看法。描述一下她的性格?我遇到了沉默。我省吃俭用地问他们故事的主人公格雷戈尔(Gregor),他是一个旅行推销员,后来变成了一只巨大的昆虫。描述一下他的性格?更多的沉默。他们读过吗?还是够了?还是足够仔细?他们看上去都很疲倦,好像他们想爬到房间里一个满是灰尘的角落里去,或者像格里高尔一样躲到沙发底下,让自己一个人呆着我只能猜测他们读了什么,怎么读的。像我们中的许多人一样,我很容易受到关于书籍衰落和注意力持续时间推特化的可怕理论的影响,但这些理论是真的吗?我经常对我要求学生进行的最基本的活动感到茫然——不是文学分析,而是阅读文学的体验。现在的学生如何阅读?他们从中得到了什么?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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