Leadership and the ATHE

S. Secore
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Abstract

1 In today’s increasingly globalized, competitive, and fiscally-afflicted, higher-education environment, academic leaders are regularly expected to serve as both “visionaries” and “managers” adept in all forms of political, economic, and social engagement. Likewise, performing arts leaders share a similar fate, as they need to be versatile tacticians skilled equally in both business and art. Given these realities, for higher education performing arts programs, the challenges are greater. These programs — and their parent institutions — require leadership and leaders capable of handling both immediate complexity and longterm transformation. As such, leadership development critical to this mission is a priority. This article explores the intricacies of higher education and the performing arts, and discusses the correlative characteristics of leadership, management, mentoring, coaching, and networking. Additionally, it provides in-depth description and critical analysis of the Association for Theatre in Higher Education Leadership Institute — as the institute is a unique leadership initiative specifically designed to address this enigmatic niche subset of higher education. Effectual leadership is an essential element in any organization. It is the element that organizations rely on to translate goals and objectives into accomplishments (Rowley & Sherman, 2003; Simon, 1976). Equally as important is the need to develop leaders surefooted in handling the complex challenges and problems often associated with great responsibility. Further still, developing leaders must also be cognizant of the human factor inherent in organizational structures, as this often requires them to deliver otherwise seamless fluidity in their treatment of socialized activities. Therefore, the successful development of effective leadership is critical for both performance and accomplishment. This is not just true of commercial organizations, but also of academic agencies (Bensimon & Neumann, 1992; Braun, Nazlic, Weisweiler, Pawlowska, Peus, & Frey, 2009; Rowley & Sherman, 2003). Arsenault (2007) states, “Universities are definitely not immune to this need for effective leadership as they face similar challenges as any other organizations” (p. 14). In these settings, academic leaders must conjointly serve as both a “visionary” and a “manager” adept in all forms of political, economic, and social engagement. Comparably, 1 This article has been co-published in partnership with the Journal of Performing Arts Leadership in Higher Education and Christopher Newport University.
领导力和ATHE
在当今日益全球化、竞争激烈、财政拮据的高等教育环境中,学术领袖经常被期望既能成为“有远见的人”,又能成为“管理者”,擅长各种形式的政治、经济和社会参与。同样,表演艺术的领导者也有类似的命运,因为他们需要成为在商业和艺术方面同样熟练的多面手。考虑到这些现实,对于高等教育表演艺术课程来说,挑战更大。这些项目——以及它们的上级机构——需要有能力处理眼前的复杂性和长期转型的领导和领导者。因此,对这一使命至关重要的领导力发展是一个优先事项。本文探讨了高等教育和表演艺术的复杂性,并讨论了领导力、管理、指导、指导和网络的相关特征。此外,它还提供了对高等教育领导学院戏剧协会的深入描述和批判性分析,因为该学院是一个独特的领导倡议,专门设计用于解决高等教育中这个神秘的利基子集。有效的领导是任何组织的基本要素。它是组织将目标和目的转化为成就的要素(Rowley & Sherman, 2003;西蒙,1976)。同样重要的是,需要培养能够处理复杂挑战和问题的领导人,这些挑战和问题往往与重大责任有关。此外,发展中的领导者还必须认识到组织结构中固有的人为因素,因为这通常要求他们在处理社交活动时提供无缝的流动性。因此,有效领导力的成功发展对绩效和成就都至关重要。这不仅适用于商业组织,也适用于学术机构(Bensimon & Neumann, 1992;Braun, Nazlic, Weisweiler, Pawlowska, Peus, & Frey, 2009;Rowley & Sherman, 2003)。Arsenault(2007)指出,“大学当然不能幸免于这种对有效领导的需求,因为它们面临着与任何其他组织类似的挑战”(第14页)。在这种情况下,学术领袖必须同时扮演“有远见者”和“管理者”的角色,擅长各种形式的政治、经济和社会参与。相比之下,这篇文章是与《高等教育中的表演艺术领导力杂志》和克里斯托弗·纽波特大学合作发表的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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