Who Is Missing? Albums and Archives

Ann Matthew
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引用次数: 0

Abstract

While collecting family photographs of some of the 2.5 million Indians who fought in World War II on behalf of their British colonizer, this article's author, an artist, found that the idea of photographic “ubiquity” was turned on its head. She became increasingly aware of how socioeconomic privilege, caste, and class played a role in who was never photographed and thus who is not represented in the history of photography, in photo albums, and in military archives. Three different installations titled The UNREMEMBERED: Indian Soldiers of World War II include the use family photographs and archival footage. In this article, the artist explores questions about who is not represented in photo albums and archives and approaches to remedying their absence.
谁失踪了?影集及档案
这篇文章的作者是一位艺术家,他在收集代表英国殖民者参加第二次世界大战的250万印度人中的一些人的家庭照片时,发现摄影“无处不在”的想法被彻底颠覆了。她越来越意识到,社会经济特权、种姓和阶级是如何影响那些从未被拍摄过的人,从而影响那些没有出现在摄影史、相册和军事档案中的人。三个不同的装置名为“被遗忘的:第二次世界大战的印度士兵”,包括使用家庭照片和档案录像。在这篇文章中,艺术家探讨了谁没有出现在相册和档案中,以及如何弥补他们的缺失。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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