Production Cultures and the “Look” of Nostalgia: The Rocketeer as Failed Franchise

D. Long
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引用次数: 0

Abstract

abstract:This article examines The Rocketeer as a case study of a failed franchise. The author argues that The Rocketeer’s failure exemplifies the fluidity of industry discourse in the early 1990s about the specific textual forms franchise properties were to emphasize. Through a history of the textual negotiation of The Rocketeer as undertaken by multiple production cultures, the article shows that despite the several factors contributing to producers’ confidence in The Rocketeer as an inherently franchisable text—including its toyetic potential, its visual design, and its displaceable 1930s historical setting—Disney actually embraced the latter in its marketing and merchandising of the film.
生产文化和怀旧的“外观”:火箭人作为失败的特许经营
本文将《火箭人》作为一个失败的特许经营案例进行研究。作者认为,《火箭人》的失败体现了20世纪90年代初关于特许经营属性所强调的具体文本形式的行业话语的流动性。通过多种制作文化对《火箭人》的文本谈判历史,本文表明,尽管有几个因素促成了制片人对《火箭人》作为一个固有的可特许经营文本的信心——包括它的玩具潜力、视觉设计和可替代的20世纪30年代的历史背景——迪士尼实际上在电影的营销和商品销售中接受了后者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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