The winners’ drama in Seneca’s Troades

João Paulo Balula
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引用次数: 1

Abstract

Introduction: The texts of classical literature are of great importance for the formation of critical readers. For this reason, this article proposes a current reading of the winners’ difficulties that are evident in Seneca’s Troades: Pyrrhus, Agamemnon, Ulysses, Achilles, and Helena. Development: Starting from a content analysis of the literary work, a reflection on the consequences of feelings and passions is presented. It becomes evident that when the human being is confronted with himself and with his essence everything comes to the surface: the most admired virtue (moderation) and the most despicable defects (arrogance, brutality, tyranny, hypocrisy and cowardice). Conclusions: It is concluded that the winners’ concern focuses on the doubt about the success of the return trip.
塞内加的《漫游者》是胜利者的戏剧
导读:古典文学文本对批判性读者的形成具有重要意义。出于这个原因,本文建议对塞内加的《漫游者》中显而易见的胜利者的困难进行当前的解读:皮洛斯、阿伽门农、尤利西斯、阿喀琉斯和海伦娜。发展:从文学作品的内容分析入手,对情感和激情的后果进行反思。很明显,当人类面对自己和他的本质时,一切都浮出水面:最令人钦佩的美德(节制)和最可鄙的缺点(傲慢、残暴、暴政、虚伪和懦弱)。结论:获胜者的担忧主要集中在对返程成功与否的怀疑上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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