Represenasi Citra Positif Islam dalam film Kingdom of Heaven

Jalaluddin Nahrawi, Nabilla Puti Syafira
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Abstract

After the bombing of the World Trade Center (WTC) building in 1993, Hollywood has intensively produced films which have laid the blame of terrorist acts in the United States on Muslims. These films give a bad image to Muslims,particularly after the 2001 WTC bombing by Al-Qaeda.It was reported that the leading print media increased their reportage of news about Islam by 560%. After the events of 9/11, the issue of Islamophobia again became a hot issue not only in America, but also in countries with a small Muslim populations. Uniquely, four years later, Hollywood released the movie Kingdom of Heaven film which gives a more positive image of Islam. The film tries to counter the negative stigma of Westerners of the teachings of Islam, as well as educate the international community on true teachings of Islam through the story of Saladin's generosity while leading the Islamic forces during the Crusading era. This study aims to determine the meaning of the denotations, connotations, and myths of the signs that exist in the film Kingdom of Heaven on the positive image of Islam presented in it. This research method is a qualitative interpretive and semiotics analysis of Roland Barthes. The results of research ison six analysis units in the form of scenes in Kingdom of Heaven which show a positive image of Islam successfully portrayed in the film.
代表伊斯兰教在《天堂王国》中的积极形象
1993年世界贸易中心(WTC)发生爆炸事件后,好莱坞大量制作电影,将美国的恐怖主义行为归咎于穆斯林。这些电影给穆斯林留下了不好的印象,尤其是在2001年基地组织轰炸世贸中心之后。据报道,主要印刷媒体对伊斯兰教的报道增加了560%。9/11事件后,伊斯兰恐惧症问题再次成为热点问题,不仅在美国,而且在穆斯林人口较少的国家也是如此。独特的是,四年后,好莱坞发行了电影《天国》,这部电影给了伊斯兰更积极的形象。这部电影试图通过萨拉丁在十字军时代领导伊斯兰军队的慷慨事迹,反击西方人对伊斯兰教教义的负面污名,并向国际社会宣传伊斯兰教的真实教义。本研究旨在确定电影《天国》中存在的符号的外延、内涵和神话对其所呈现的伊斯兰积极形象的意义。这种研究方法是对罗兰·巴特的定性解释和符号学分析。研究结果以《天国》中的六个分析单元为形式,成功地塑造了伊斯兰教的正面形象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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