{"title":"Omaggio a un poeta. Sereni e d’Annunzio","authors":"G. Raboni","doi":"10.30687/ada/2421-292x/2022/01/015","DOIUrl":null,"url":null,"abstract":"This article explores Vittorio Sereni’s attitude towards the literary legacy of d’Annunzio, as expressed in particular in the poem “La poesia è una passione?”, in which Sereni explicitly quotes some lines from d’Annunzio’s Novilunio and appears to refer to a long, and apparently somewhat arduous, process of distancing himself from d’Annunzio’s cumbersome legacy in his early development as a poet. The main point that we try to make is that Sereni’s departure from d’Annunzio and the Liberty style is prompted not so much by a radical shift in poetic sensibility, but rather by a recognition that the world, and the social reality, have changed, and therefore require a renewal of the means of poetic expression. This is contrasted with the poetry of Montale, arguably the most influential Italian poet in the second half of the 20th century: we make the case that Montale’s innovation, decisively influenced by the English-language modernism, is much more radical, and involves not just an updating of the poetic language, but a more fundamental and theoretical renewal of the very idea of poetry and literature and of what they stand for.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"26 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Archivio d’Annunzio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/ada/2421-292x/2022/01/015","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This article explores Vittorio Sereni’s attitude towards the literary legacy of d’Annunzio, as expressed in particular in the poem “La poesia è una passione?”, in which Sereni explicitly quotes some lines from d’Annunzio’s Novilunio and appears to refer to a long, and apparently somewhat arduous, process of distancing himself from d’Annunzio’s cumbersome legacy in his early development as a poet. The main point that we try to make is that Sereni’s departure from d’Annunzio and the Liberty style is prompted not so much by a radical shift in poetic sensibility, but rather by a recognition that the world, and the social reality, have changed, and therefore require a renewal of the means of poetic expression. This is contrasted with the poetry of Montale, arguably the most influential Italian poet in the second half of the 20th century: we make the case that Montale’s innovation, decisively influenced by the English-language modernism, is much more radical, and involves not just an updating of the poetic language, but a more fundamental and theoretical renewal of the very idea of poetry and literature and of what they stand for.
本文探讨了维托里奥·塞雷尼对达南齐奥文学遗产的态度,尤其是在诗歌《La poesia è una passione?》,塞雷尼在其中明确地引用了丹农齐奥的《诺维尤尼奥》中的几句话,似乎是指在他作为诗人的早期发展中,他与丹农齐奥繁琐的遗产保持距离的一个漫长而显然有些艰难的过程。我们试图说明的主要观点是,塞雷尼对达南齐奥和自由风格的背离与其说是由于诗歌感性的激进转变,不如说是由于认识到世界和社会现实已经发生了变化,因此需要更新诗歌表达的手段。这与蒙塔莱的诗歌形成了对比,蒙塔莱可以说是20世纪下半叶最有影响力的意大利诗人:我们认为蒙塔莱的创新,受到英语现代主义的决定性影响,更加激进,不仅涉及诗歌语言的更新,而且涉及诗歌和文学及其所代表的思想的更基本和理论上的更新。