A Black and White Ecology

A. Wardi
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Abstract

The concluding chapter of the book considers the ways in which Morrison, in turning her attention to the colonies in A Mercy, examines the artifice of race and lays bare the myriad ways in which racial categorization was foundational to the building of America. Moreover, in Jazz, Morrison gestures to the plantation economy through references to Joe and Violet’s cotton farming. This monocropping was detrimental to the physical and social landscape of the nation. In recognition of the bankruptcy of a black and white ecology, the conclusion theorizes the rainbow, a trope in Morrison’s canon that complicates binaristic thinking. Morrison’s characters inhabit polychromatic worlds; their ecological relationships are multifaceted and contradictory, marked by a complex interweaving of beauty and grief.
非黑即白的生态
这本书的最后一章考虑了莫里森在《慈悲》中把注意力转向殖民地的方式,审视了种族的诡计,揭示了种族分类对美国建设的无数种基础。此外,在《爵士》中,莫里森通过引用乔和维奥莱特的棉花种植来暗示种植园经济。这种单一作物种植对国家的自然和社会景观都是有害的。在认识到黑白生态的破产后,结语将彩虹理论化,这是莫里森经典中的一个比喻,使二元思维复杂化。莫里森笔下的人物生活在五彩缤纷的世界里;他们的生态关系是多方面的和矛盾的,以美丽和悲伤的复杂交织为特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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