Creativity Opportunities: When Non-science Helps o Answer Scientific Questions

O. Sokolova
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Abstract

In this reply to the article by A.M. Dorozhkin and S.V. Shibarshina, the question of the creative nature of the randomization technique is considered, which is understood as a rejection of logically obvious ways to solve scientific problems, and involves the inclusion of an element of randomness, or uncertainty, in the scientific search procedure. Some doubt is expressed about the consequences of introducing the technique of epistemological randomization into the tactics of solving scientific problems. The author of the article emphasizes the fact that an attempt to solve scientific problems by an inclusion of other, non-scientific elements in the area of science may be a case of randomization. The author determines the areas which are subject to an uncertainty factor. Art and culture are regarded as such non-science areas. However, the appeal to uncertainty is an indication of a fundamental inability to describe in quantitative terms the origin of creativity. This position can be characterized as “misterianism” in the interpretation of creativity, by analogy with misterianism in the understanding of consciousness by K. McGinn. In this case, the randomization technique is nothing more than one of the possible conditions for creativity, which cannot guarantee the appearance of an original result.
创造机会:当非科学帮助回答科学问题
在这篇由A.M.dorzhkin和S.V. Shibarshina,研究了随机化技术的创造性本质问题,它被理解为拒绝逻辑上明显的方法来解决科学问题,并涉及在科学研究过程中包含随机性或不确定性元素。有人对将认识论随机化技术引入解决科学问题的策略的后果表示怀疑。这篇文章的作者强调这样一个事实,即试图通过在科学领域中纳入其他非科学因素来解决科学问题可能是一种随机化的情况。作者确定了受不确定性因素影响的领域。艺术和文化被视为这样的非科学领域。然而,对不确定性的诉求表明,人们根本无法用定量的术语来描述创造力的起源。这种立场可以被描述为解释创造力的“神秘主义”,与K. McGinn对意识的理解中的神秘主义相类似。在这种情况下,随机化技术只不过是创造力的可能条件之一,它不能保证原始结果的外观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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