{"title":"Entangled Maps","authors":"Bram Vannieuwenhuyze","doi":"10.2307/j.ctv17ppcw7.7","DOIUrl":null,"url":null,"abstract":"This chapter offers a close ‘reading’ of two story maps from the early modern\n Low Countries, a bird’s-eye perspective on the Ypres siege of 1383 engraved by\n Guillaume du Tielt about 1610, and a map of Northern Flanders, presumably made\n by Mathias Quad in 1604. Both are sophisticated multimedia products in which\n different layers of information are inextricably intertwined. The documents\n ask for a thorough analysis of their content as a whole. By considering them as\n ‘entangled products’, instead of simple by-products of official cartography, the\n chapter argues that the maps themselves were also part of a chain of objects, and\n that their production and consumption must be considered in broader contexts.","PeriodicalId":121084,"journal":{"name":"Motion in Maps, Maps in Motion","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Motion in Maps, Maps in Motion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv17ppcw7.7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter offers a close ‘reading’ of two story maps from the early modern
Low Countries, a bird’s-eye perspective on the Ypres siege of 1383 engraved by
Guillaume du Tielt about 1610, and a map of Northern Flanders, presumably made
by Mathias Quad in 1604. Both are sophisticated multimedia products in which
different layers of information are inextricably intertwined. The documents
ask for a thorough analysis of their content as a whole. By considering them as
‘entangled products’, instead of simple by-products of official cartography, the
chapter argues that the maps themselves were also part of a chain of objects, and
that their production and consumption must be considered in broader contexts.