‘Look at me!’ Post-mastectomy transformative politics

K. Davis
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Abstract

Breast cancer received little attention until the 1990s when women began to criticize the lack of public awareness as well as research funding. Breast cancer activism emerged across the globe, ranging from feminist grass-roots movements, to initiatives by health organizations to corporate activities, the most famous being Pink Ribbon. Feminists have been critical of Pink Ribbon, decrying what they call the ‘pink-washing’ of breast cancer through consumerism and the insistence that breast cancer survivors should ‘look good in order to feel good’. In this article, I explore activism that makes breast cancer visible without silencing its traumas. This activism takes the form of artistic projects – fashion, art, photography, and other forms of aesthetic expression. Drawing upon the work of the queer theorist Dina Georgis, I ultimately turn to the SCAR Project as example of a ‘better story’ about living with the post-mastectomy body and show how it can inspire a transformative feminist politics of the body.
“看着我!”“乳房切除术后的政治变革
直到20世纪90年代,当女性开始批评缺乏公众意识和研究资金时,乳腺癌才得到了很少的关注。乳腺癌活动在全球范围内兴起,从女权主义基层运动,到卫生组织的倡议,再到企业活动,其中最著名的是粉红丝带。女权主义者一直对粉红丝带持批评态度,谴责她们所谓的消费主义对乳腺癌的“粉色清洗”,以及坚持认为乳腺癌幸存者应该“为了感觉良好而看起来漂亮”。在这篇文章中,我探讨了在不掩盖创伤的情况下,让乳腺癌变得可见的行动主义。这种行动主义采取艺术项目的形式——时尚、艺术、摄影和其他形式的美学表达。根据酷儿理论家Dina Georgis的作品,我最终将SCAR项目作为一个“更好的故事”的例子,讲述了乳房切除术后的身体生活,并展示了它如何激发身体变革的女权主义政治。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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