Material Vicissitudes and Technical Wonders: The Ambiguous Figure of Automaton in Aristotle's Metaphysics of Sexual Difference

Epoch Pub Date : 2006-04-01 DOI:10.5840/EPOCHE200611123
Emanuela Bianchi
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引用次数: 4

Abstract

In Aristotle's physics and biology, matter's capacity for spontaneous, opaque, chance deviation is named by automaton and marked with a feminine sign, while at the same time these mysterious motions are articulated, rendered knowable and predictable via the figure of ta automata, the automatic puppets. This paper traces how automaton functions in the Aristotelian text as a symptomatic crossing-point, an uncanny and chiasmatic figure in which materiality and logos, phusis, and techne, death and life, masculine and feminine, are intertwined and articulated. Automaton permits a mastery of generative materiality for teleological metaphysics, but also works to unsettle teleology's systematic and unifying aspirations.
物质变迁与技术奇迹:亚里士多德《性别差异形而上学》中自动机的模糊形象
在亚里士多德的物理学和生物学中,物质自发的、不透明的、偶然偏离的能力被自动机命名,并以女性符号标记,同时,这些神秘的运动被清晰地表达出来,通过自动机的形象,自动木偶,变得可知和可预测。本文追溯了自动机是如何在亚里士多德文本中作为一个症状交叉点发挥作用的,一个不可思议的交叉人物,其中物质性和逻各斯,精神和技术,死亡和生命,男性和女性,交织在一起。自动机允许目的论形而上学对生成物质性的掌握,但也会扰乱目的论的系统和统一的愿望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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