Curation, curation, curation

NHT '13 Pub Date : 2013-05-01 DOI:10.1145/2462216.2462217
A. Wolff, P. Mulholland
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引用次数: 26

Abstract

The media curation craze has spawned a multitude of new sites that help users to collect and share web content. Some market themselves as spaces to explore a common interest through different types of related media. Others are promoted as a means for creating and sharing stories, or producing personalized newspapers. Still others target the education market, claiming that curation can be a powerful learning tool for web-based content. But who really benefits from the curation task: the content curator or the content consumer? This paper will argue that for curation to fully support learning, on either side, then the curation site has to allow the content curator to research and tell stories through their selected content and for the consumer to rewrite the story for themselves. This brings the curation task inline with museum practice, where museum professionals tell stories through careful selection, organization and presentation of objects in an exhibition, backed up by research. This paper introduces the notion of 'recuration' to describe a process in which shared content can be used as part of learning.
策划,策划,策划
媒体策划热潮催生了大量帮助用户收集和分享网络内容的新网站。有些将自己定位为通过不同类型的相关媒体探索共同兴趣的空间。另一些则被推广为创造和分享故事,或制作个性化报纸的手段。还有一些公司瞄准了教育市场,声称管理可以成为网络内容的强大学习工具。但是谁真正从管理任务中受益:内容管理者还是内容消费者?本文将论证,为了让管理完全支持学习,无论是哪一方,那么管理网站必须允许内容管理人员通过他们选择的内容进行研究和讲述故事,并让消费者为自己重写故事。这使得策展任务与博物馆实践相结合,博物馆专业人员通过仔细选择、组织和展示展览中的物品来讲述故事,并以研究为依据。本文引入了“再现”的概念来描述一个过程,在这个过程中,共享的内容可以被用作学习的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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