A Touch of Evil: Jesusa Rodriguez's Subversive Church

J. Franco
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引用次数: 9

Abstract

In September 1991 Jesusa Rodriguez and the singer/composer/pianist Liliana Felipe were about to open an independent theatre in Mexico City. The theatre on Calle Madrid in Coyoacan is named La Capilla, since the remodeled building was formerly the private chapel of a vast old house. It would be hard to imagine a more evocative and provocative site for a theatre directed by Jesusa Rodriguez, who has often targeted the Church with her irreverant and cutting satire. Furthermore, the house and its chapel once belonged to Salvador Novo, a major avant-garde and gay poet. After his death in 1975, Novo's heir rented the house to Jesusa and Felipe, who opened a bar, restaurant, and cabaret called El Habito (a nice pun on the monastic "habit"). They decided to turn the chapel into an 8o-seat chamber theatre that would be independent of official funding, which is unusual for Mexico.
邪恶的触摸:耶稣罗德里格斯的颠覆性教会
1991年9月,Jesusa Rodriguez和歌手/作曲家/钢琴家Liliana Felipe准备在墨西哥城开一家独立剧院。位于科约阿坎的马德里大街上的剧院被命名为La Capilla,因为改造后的建筑以前是一座巨大的老房子的私人教堂。很难想象还有什么地方比这里更能唤起人们的共鸣,更能激起人们的挑衅性,因为耶稣·罗德里格斯(Jesusa Rodriguez)经常用她不敬的、尖刻的讽刺来攻击教会。此外,这所房子及其礼拜堂曾经属于萨尔瓦多·诺沃(Salvador Novo),他是一位重要的前卫和同性恋诗人。1975年他去世后,诺沃的继承人把房子租给了耶苏萨和费利佩,他们开了一家酒吧、餐馆和卡巴莱酒店,名为El Habito(这是对修道院“习惯”的一个很好的双关语)。他们决定将教堂改造成一个80个座位的室内剧院,独立于官方资助,这在墨西哥是不寻常的。
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